by Cub KodaNot to be confused with the British studio group that gave the world the Joe Meek-produced instrumental Telstar, or the Midwest group that recorded Scalping Party on Cuca, or the Kennewick, Washington combo of the same name, this group of Tornadoes burst onto the national scene with one of the very first surf instrumentals, Bustin Surfboards, in 1962. A family band, their lineup consisted of two brothers (Gerald and Norman Sanders), their cousin Jesse Sanders and a friend, Leonard Delaney. They started out as an instrumental group from San Bernardino, CA, called the Vaqueros. After adding sax man George White to the lineup, they changed their name to the Tornadoes. Their lone national chart entry was nonetheless an important one, with Bustin Surfboards in 1962 making the playlists in cities that were far removed from any kind of surfing activity and signaling the beginnings of surf music as a national craze. Although using an off-brand echo unit in place of the Fender reverb unit (which hadnt been invented yet), the record had the prerequisite sound of this fledgling genre, utilizing a solid surfers stomp drum beat and crashing wave sound effects throughout. More recordings followed, with a name change to the Hollywood Tornadoes for their next two singles in deference to their British namesakes, who had charted higher with Telstar. Their fourth single, Shootin Beavers, was banned from radio play because of the so-called suggestive title. No more hits were forthcoming from the band, although they did release one excellent album that stands as one of the earliest — and best — examples of the genre.